The “acoustic” setting turns the Katana into a dedicated acoustic amp (note: it’s not meant to make an electric guitar sound like an acoustic, though if you have piezo pickups built in (like on my Ernie Ball Petrucci), then this setting works really well. Rather than modeling specific amplifiers, the Katana has general options that capture the most common amp sounds that guitarist need clean, crunch, and lead, though there is an EVH-esque tone with the aptly named “Brown” sound. Engaging the Phones/Recording Out defeats the internal speaker. On the rear panel, there are Aux In, Phones/Recording Out, USB, and Foot Control input jacks. The main controls include a 3-band EQ, gain, volume, boost/mod selector, boost/mod level, delay/FX selector, delay/FX level, reverb selector, reverb level, tap tempo, master volume, power control, and channel selector. It is a single input amp with a 1×12″ speaker. There are five modes available: acoustic, clean, crunch, lead, and “brown” (their take on 80s rock tones). The Boss Katana 50 is a 50W combo amplifier with selectable power ranges from 50 to 1/2 watt. Let’s take a look at the Katana 50 combo amplifier to see this in action. With the Katana series, Boss ups the ante with the balance of quality and price. Sure, every year someone claims to have a new revolution in amplifier modeling, but let’s not forget that the folks at Boss/Roland started amplifier modeling years ago, so they bring some experience to the modeling arena. I don’t think I’m overstating the case when I say that the Boss Katana amplifier series fits that description. It’s hard not to see the Boss Katana 50 as a major player in the sub-$500 practice/small gig amp market.Įvery once in a while a product comes along that makes you rethink the entire genre.
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